Heart In Vain (Orchestral Theme) by Andre Kerek

Broadjam Artist: Andre KerekSong: Heart In Vain (Orchestral Theme)Broadjam Pro Reviewer: Doug Diamond (Music Supervisor, Engineer, Producer, Composer )Pro General Comments: Hi Andre -Thanks for letting me review your excellent song, “Heart In Vain (Orc…

Andre Kerek

Broadjam Artist: Andre Kerek
Song: Heart In Vain (Orchestral Theme)

Broadjam Pro Reviewer:
Doug Diamond (Music Supervisor, Engineer, Producer, Composer )

Pro General Comments: Hi Andre -Thanks for letting me review your excellent song, "Heart In Vain (Orchestral Theme)". As you know, I was already somewhat familiar with the piece due to your having submitted it for consideration to some of my open music licensing opportunities on Broadjam. At the time, I noted its quality and asked you for a link to move ahead in the process of pitching your song for some other possible placement situations. Note that I have pitched your song to a music library that I work very closely with and they are interested in it and will be in touch with you soon with a non-exclusive agreement (they are currently backlogged, thus the delay). So that is some good news! They really do like the track. This means that eventually, once brought into their catalog, your song could find its way into other possible sync scenarios that you may not have considered... for instance, they work with not only indie films and television productions, but also video game developers, web promo folks, retail, and radio, so it's hard to say where your track could end up eventually maybe even in more than one place. That's the great thing about working with an active library. You would get paid either via sync fee(s) and/or P.R.O. (performance royalties) depending on the usage of the song. More information is in their agreement that you will have soon.As for some general comments about the song, I really like it and find it reminiscent of some of the music from great films I like. The arrangement is exquisite and very fitting for what this song needed, so great job finding people who could take your song and make it shine. It has sort of a nostalgic sound that I very much enjoy and find gives it its own unique flavor. It puts me in mind of some of the great music you'd find in some of the old Hollywood films. On that note though, I can see where this song could work as-is in a variety of newer productions too. One way that that could happen is if you were ever to work with a highly-skilled "remixer" - someone who could take this mix as you have it and add more contemporary beats and loops to it to give it a more modern flavor. This is something I'd consider doing... having the best of both worlds - old and new / just a thought. That's really the only creative tip I can think of for your song. Find the perfect remixer type person could be challenge, but they're out there. Doing that though could help you bridge the gap on some more new, cutting-edge type of video productions that might not want the nostalgic sound your track has necessarily. Anyway, something to consider.

Quote From Pro: "Heart In Vain (Orchestral Theme)" is an excellent film score type theme that sounds like it stepped right out of 1940s Hollywood and yet still could be utilized in today's plethora of modern sync situations. Congrats Andre on a great piece of music. Well done!

Don’t Let It Get Away by Alan Lee Carpenter

Broadjam Artist: Alan Lee CarpenterSong: Don’t Let It Get AwayBroadjam Pro Reviewer: Elizabeth Elkins (Songwriter)Pro General Comments: Hi Alan, Happy New Year! This one is a really fun listen, and it feels both modern and kind of like an ’80s/’90s alm…

Alan Lee Carpenter

Broadjam Artist: Alan Lee Carpenter
Song: Don't Let It Get Away

Broadjam Pro Reviewer:
Elizabeth Elkins (Songwriter)

Pro General Comments: Hi Alan, Happy New Year! This one is a really fun listen, and it feels both modern and kind of like an '80s/'90s almost Huey Lewis throwback rock song. I think it could work in Blues, though the production might need to be a bit more gritty to really impressive the folks in that genre. Overall, I could hear this song in a movie or on television in an action scene, or a feel-good party sing. It feels very place-able, and, once again, that is because of your extraordinarily strong vocal. You can obviously sing any darn genre you want. It's clear you can also produce most genres really well, though you seem most at home in the rock/indie rock/pop vein. I think your focus with these songs should be to find a home with a publisher that leans heavily toward sync, like Open Road in Los Angeles. Your talent as a producer and track guy, and your vocals really should be an asset for you in your search. I do think when you pitch stuff to them it's important to keep the genre as focused as possible. If you can do "a little bit of everything" people may steer away from you at first (it can become an asset later on once you're in the door). There is a band in LA called Right the Stars - they aren't really a band anymore, just a band name for a great singer/ artist / writer / producer out there, and it's led him to a ton of placements and advertisements. This might be a good approach for you to showcase all of your writing. Back to this one, blues is always a smaller/more difficult genre, so I think call it rock, and submit to sync publishers and libraries with it.

Quote From Pro: A feel-good, rock and roll blues rolick led by an extraordinarily likeable singer. Great production, big hook - leaves you wanting more.

Testify by Ron Addison

Broadjam Artist: Ron AddisonSong: TestifyBroadjam Pro Reviewer: Robert Dellaposta (Writer, A&R, Publisher)Pro General Comments: Hi Ron, I love this retro blues rock groove. It took me on a trip back to the 70’s. Great vocal and strong background vocals…

Ron Addison

Broadjam Artist: Ron Addison
Song: Testify

Broadjam Pro Reviewer:
Robert Dellaposta (Writer, A&R, Publisher)

Pro General Comments: Hi Ron, I love this retro blues rock groove. It took me on a trip back to the 70's. Great vocal and strong background vocals. Strong meter , rhyme and phrasing. Loved the guitar solo...What you are calling a chorus is actually a bridge that ends with a partial verse and includes the hook...starting the bridge on the 4 chord is very common in a blues song. Ending each verse with the hook is indicative of verse/verse/bridge/verse form along with an instrumental solo. Whether you call it a bridge or a chorus won't matter to your listener. The instrumentation is spot on for this genre. The arrangement is also retro and highlights this blues rock era. The hook is common but it fits the song and it works for you as the artist. Mel McDaniel had a hit country song titled Stand up (Testify) it's not an original theme but it's still entertaining. The prosody is good...the singer is mad and agitated and the high energy music makes it clear what's on his mind. Baby boomers will love this along with blues rock fans of all ages. Good job and good luck with the single.

Quote From Pro: Testify will rock you and get your hands clapping and toes tapping. Ron Addison has the soul and vocal talent to be the third blues brother.