Don’t Go Making Promises by Charles Edmund Carter

Broadjam Artist: Charles Edmund CarterSong: Don’t Go Making PromisesBroadjam Pro Reviewer: Tirk Wilder (Songwriter, Performer)Pro General Comments: incredible instrumentation, great sound to the entire band. The background vocals are superb. The bass p…

Charles Edmund Carter

Broadjam Artist: Charles Edmund Carter
Song: Don't Go Making Promises

Broadjam Pro Reviewer:
Tirk Wilder (Songwriter, Performer)

Pro General Comments: incredible instrumentation, great sound to the entire band. The background vocals are superb. The bass player nails it, and in a song like this, that's oh so important.If you are going to have a song that is titled "Don't Go Making Promises", somewhere in the first few lines, we need to know what promises have been broken.As a matter of fact, it might be a good idea to have some kind of a broken promise in every verse. The last line of each verse is actually a Chorus, technically. As such the melody for that should stand out, should rise above everything else in the song. Not necessarily higher in the melody (even though that does work), but stronger, more noticeable in some way.I would strongly suggest you get rid of the word "just" in that hook line. It does absolutely nothing. It is a place where you could stretch the melody out with the rest of those words and therefore make it more noticeable.Just a thought.Charles, go through every single line of the song and make it justify its existence. Every single syllable. If you can take them out and still have the same meaning, or better, they gotta go.All the syllables should point directly to your hook. In some way or other you must be explaining why this person should not be making promises that they can't keep.Lastly, the arrangement is too long. Your song should end before you get to the line, "Maybe I should go..." Everything after that is superfluous. Adding a new sounding melody suddenly is very confusing.Besides, your song is too long. It's hard to imagine getting much airtime on important stations if you are much longer than three minutes.Also, I would suggest you consider how old your listener has to be to know who Little Bo Peep was.Charles, I love doing your songs. Keep up the good work.Tirk

Quote From Pro: Incredibly versatile songwriter

Boss Moves by Ground Up Recordz Inc.

Broadjam Artist: Ground Up Recordz Inc.Song: Boss MovesBroadjam Pro Reviewer: Jeseka Price (Publisher, Producer)Pro General Comments: Boss Moves is a dope track! Loving the song in general, the bass, keys, hook/chorus on top of the fire verses are on p…

Ground Up Recordz Inc.

Broadjam Artist: Ground Up Recordz Inc.
Song: Boss Moves

Broadjam Pro Reviewer:
Jeseka Price (Publisher, Producer)

Pro General Comments: Boss Moves is a dope track! Loving the song in general, the bass, keys, hook/chorus on top of the fire verses are on point.Very catchy song, the demographic fits per described 30 and up.This track is hands down inspiring enough for the youth to understand and comprehend boss moves, definitely has one of my favorites "Rick Ross" feel to it, the biggest boss of all bosses! One of my favorite verses is"Please get your Keys off My Crap Table!!!"That one verse/bar hits harder than everrrr! Fantastic along with the up and down of the keys/bass -build up reminds me of Jay Z / Rick Ross joint...but a great song if you can get a feature from Jay or Rozay - hey even better...but all around I love it and the vocal tone is perfect!Love it and thank you!

Quote From Pro: I can really see or hear this song featured on a Tyler Perry, 50 Cent tv feature, or even a Rick Ross various artist compilation, iTunes, and billboard material! great overall production....very proud to listen to your future work, best wishes and luck!-Jeseka Price of Price Royalty Publishing