Rocks in my head by jdsoundworx

Broadjam Artist: jdsoundworxSong: Rocks in my headBroadjam Pro Reviewer: Diana Williamson (Songwriter, Music Supervisor)Pro General Comments: Hi James:Please note I don’t rate individual instrumentation since my expertise lies more in marketability, ly…

jdsoundworx

Broadjam Artist: jdsoundworx
Song: Rocks in my head

Broadjam Pro Reviewer:
Diana Williamson (Songwriter, Music Supervisor)

Pro General Comments: Hi James:Please note I don't rate individual instrumentation since my expertise lies more in marketability, lyric, melody, and overall performance.Hello, good energetic performance. Definitely Romantics- What I Like About You vibe- but also you may be curious to check this little "hit ditty" out... https://www.youtube.com/watch?v=Sz-2jckjeHo (The Monkees- Little Bit Me, Little Bit You)- reminds me of the melody a bit... (not in a bad way/legal way).. in the jangly part.It's got a fun title- definitely not boring. You want a title to evoke a mood and your title suits your song. A bored music supervisor sifting through a ton of tracks would definitely pick this to listen to over "track thirty six metal" as a title. And if you can add a little bit of humor into the title- all the better.The thing that may be hindering the song/instrumental from getting cut for one are the voices. I actually like the voices but if someone was to use the song for an action sequence- the voices would seem to come out of nowhere and distract. Do you have a mix without?It's kind of like when people put people clapping in the beginning- it limits the songs usage (for a lazy editor). Sure they can edit around it- but some can't be bothered and just go on to the next track.

Quote From Pro: Energetic 80's flavored track.

Coach Fox (feat. Rudiger) Soldiers of Love by Coach Fox

Broadjam Artist: Coach FoxSong: Coach Fox (feat. Rudiger) Soldiers of LoveBroadjam Pro Reviewer: Diana Williamson (Songwriter, Music Supervisor)Pro General Comments: Please note I don’t rate individual instrumentation since my expertise lies more in ma…

Coach Fox

Broadjam Artist: Coach Fox
Song: Coach Fox (feat. Rudiger) Soldiers of Love

Broadjam Pro Reviewer:
Diana Williamson (Songwriter, Music Supervisor)

Pro General Comments: Please note I don't rate individual instrumentation since my expertise lies more in marketability, lyric, melody, and overall performance.I'm going to mention some things to think about- always to consider- but the general consensus is that you wrote a pretty good little song and I wouldn't change too much! Great work!That is a voice that begs to be listened to. Smart and tasteful choice of vocalist. Really, really good. The vocal and track go together very well. When that hook comes in- the vocal really sells it.Your arrangements are very colorful, tasteful and intriguing- they never get stale- good going. Arrangements build nicely.Your hook resonates- just like it should. It feels like "Maybe" you should have some kinda lyric over the percussive part- doesn't have to be much- but something that is a call back to the soldiers of love....? On second thought- the space might be nice there. Just something to consider.Maybe when the second percussive part comes in- you could have an additional instrument- to add another dynamic- (would be nice)- but not absolutely necessary. For eg- a bit of strings to build some tension? Maybe have some loud hand claps to increase the intensity of the percussion?

Quote From Pro: Soldiers of Love bursts with heart, good song.

Coach Fox (feat. Rudiger) Soldiers of Love by Coach Fox

Broadjam Artist: Coach FoxSong: Coach Fox (feat. Rudiger) Soldiers of LoveBroadjam Pro Reviewer: Diana Williamson (Songwriter, Music Supervisor)Pro General Comments: Please note I don’t rate individual instrumentation since my expertise lies more in ma…

Coach Fox

Broadjam Artist: Coach Fox
Song: Coach Fox (feat. Rudiger) Soldiers of Love

Broadjam Pro Reviewer:
Diana Williamson (Songwriter, Music Supervisor)

Pro General Comments: Please note I don't rate individual instrumentation since my expertise lies more in marketability, lyric, melody, and overall performance.I'm going to mention some things to think about- always to consider- but the general consensus is that you wrote a pretty good little song and I wouldn't change too much! Great work!That is a voice that begs to be listened to. Smart and tasteful choice of vocalist. Really, really good. The vocal and track go together very well. When that hook comes in- the vocal really sells it.Your arrangements are very colorful, tasteful and intriguing- they never get stale- good going. Arrangements build nicely.Your hook resonates- just like it should. It feels like "Maybe" you should have some kinda lyric over the percussive part- doesn't have to be much- but something that is a call back to the soldiers of love....? On second thought- the space might be nice there. Just something to consider.Maybe when the second percussive part comes in- you could have an additional instrument- to add another dynamic- (would be nice)- but not absolutely necessary. For eg- a bit of strings to build some tension? Maybe have some loud hand claps to increase the intensity of the percussion?

Quote From Pro: Soldiers of Love bursts with heart, good song.

Looking at Me by COSTA / Costa Ioannides

Broadjam Artist: COSTA / Costa IoannidesSong: Looking at MeBroadjam Pro Reviewer: Malik Williams (Producer, Artist, Engineer, Composer)Pro General Comments: Costa,You’ve really locked in on this track. Looking At Me is a really great commercial dance s…

COSTA / Costa Ioannides

Broadjam Artist: COSTA / Costa Ioannides
Song: Looking at Me

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Costa,You've really locked in on this track. Looking At Me is a really great commercial dance song.. super catchy... classic! This is also.. by far my favorite song style from you thus far. I really like the opening line "Guess who's been bleeding blue now they've lost it?" It made me wonder where the song would go. The lyrical melody flows nicely and is very easy to sing along with... and I think if it wasn't for the love of music, we'd all love our minds! So many people can relate to that. The song concept is pretty universal and I really like the vocal performance. Good idea to create the video as well. Using the disgruntled employee concept was brilliant. The video really supports the concept of the song and really fun to watch. (For those that haven't seen it, check it out here: https://www.youtube.com/watch?v=irXulC5I6iA)Solid music and vocal arrangement! I like the breaks and the background and ad-lib vocal parts flying in and out. The production quality is pretty tight overall as well. One again, I really appreciate your drum programming and on this one, the bass sound you chose is really edgy and fat. The base line itself is also really good and it's cutting right though the track.. really cool!The song has a lot of energy and movement just with the bass and drums. That's the foundation you need with this kind of dance track. You definitely nailed that. The mix on this song is really clear and tight and with so much going and all the instrument parts, that can be a difficult task!Very good low-end and pretty crisp high-end. You are a very talented songwriter and producer! Keep up the good work.. I'm looking forward to hearing more of your music!

Quote From Pro: Looking At Me is a really great commercial dance song.. super catchy... classic!

Looking at Me by COSTA / Costa Ioannides

Broadjam Artist: COSTA / Costa IoannidesSong: Looking at MeBroadjam Pro Reviewer: Malik Williams (Producer, Artist, Engineer, Composer)Pro General Comments: Costa,You’ve really locked in on this track. Looking At Me is a really great commercial dance s…

COSTA / Costa Ioannides

Broadjam Artist: COSTA / Costa Ioannides
Song: Looking at Me

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Costa,You've really locked in on this track. Looking At Me is a really great commercial dance song.. super catchy... classic! This is also.. by far my favorite song style from you thus far. I really like the opening line "Guess who's been bleeding blue now they've lost it?" It made me wonder where the song would go. The lyrical melody flows nicely and is very easy to sing along with... and I think if it wasn't for the love of music, we'd all love our minds! So many people can relate to that. The song concept is pretty universal and I really like the vocal performance. Good idea to create the video as well. Using the disgruntled employee concept was brilliant. The video really supports the concept of the song and really fun to watch. (For those that haven't seen it, check it out here: https://www.youtube.com/watch?v=irXulC5I6iA)Solid music and vocal arrangement! I like the breaks and the background and ad-lib vocal parts flying in and out. The production quality is pretty tight overall as well. One again, I really appreciate your drum programming and on this one, the bass sound you chose is really edgy and fat. The base line itself is also really good and it's cutting right though the track.. really cool!The song has a lot of energy and movement just with the bass and drums. That's the foundation you need with this kind of dance track. You definitely nailed that. The mix on this song is really clear and tight and with so much going and all the instrument parts, that can be a difficult task!Very good low-end and pretty crisp high-end. You are a very talented songwriter and producer! Keep up the good work.. I'm looking forward to hearing more of your music!

Quote From Pro: Looking At Me is a really great commercial dance song.. super catchy... classic!

Girl in Rags by Nonviolenze

Nonviolenze

Broadjam Artist: Nonviolenze
Song: Girl in Rags

Broadjam Pro Reviewer:
Jonathan Weiss (Music Supervisor, A&R)

Pro General Comments: Quite a unique sounding vocal and arrangement. Hard to categorize this piece, but if I had to, I would say it lends itself to more of a song from a staged musical. Obviously the music, chord structure and vocal quality conveys a state of heartbreak, either from the melodic lines and from the haunting, plaintive lead vocal and background flute/synth counter melodies. Acoustic guitar accompaniment is well played and and conceptually works for this genre. If this was part of a staged musical production, it would make sense that this kind of lyrical content would be able to convey to the audience the loneliness that this woman in rags is suffering from. Beyond that however, as a piece of contemporary pop music, I don’t really see how it fits in. The vocals are solidly performed, on pitch and the overall arrangement is rich and full sounding. I guess you could call it progressive rock as you say in your bio, but to me, it does not connote that type of sound.Lyrically, beyond some of the visual connotations that it evokes, I’m not seeing a consistent through line of what its about. To me, its a bit vague, but definitely sad sounding in all areas.

Quote From Pro: A haunting vocal melodyballad and solidly played acoustic guitar, make this a very entertaining piece that I could hear being performed in a staged musical production.

Nonviolenze

Broadjam Artist: Nonviolenze
Song: Girl in Rags

Broadjam Pro Reviewer:
Jonathan Weiss (Music Supervisor, A&R)

Pro General Comments: Quite a unique sounding vocal and arrangement. Hard to categorize this piece, but if I had to, I would say it lends itself to more of a song from a staged musical. Obviously the music, chord structure and vocal quality conveys a state of heartbreak, either from the melodic lines and from the haunting, plaintive lead vocal and background flute/synth counter melodies. Acoustic guitar accompaniment is well played and and conceptually works for this genre. If this was part of a staged musical production, it would make sense that this kind of lyrical content would be able to convey to the audience the loneliness that this woman in rags is suffering from. Beyond that however, as a piece of contemporary pop music, I don't really see how it fits in. The vocals are solidly performed, on pitch and the overall arrangement is rich and full sounding. I guess you could call it progressive rock as you say in your bio, but to me, it does not connote that type of sound.Lyrically, beyond some of the visual connotations that it evokes, I'm not seeing a consistent through line of what its about. To me, its a bit vague, but definitely sad sounding in all areas.

Quote From Pro: A haunting vocal melodyballad and solidly played acoustic guitar, make this a very entertaining piece that I could hear being performed in a staged musical production.

Girl in Rags by Nonviolenze

Nonviolenze

Broadjam Artist: Nonviolenze
Song: Girl in Rags

Broadjam Pro Reviewer:
Jonathan Weiss (Music Supervisor, A&R)

Pro General Comments: Quite a unique sounding vocal and arrangement. Hard to categorize this piece, but if I had to, I would say it lends itself to more of a song from a staged musical. Obviously the music, chord structure and vocal quality conveys a state of heartbreak, either from the melodic lines and from the haunting, plaintive lead vocal and background flute/synth counter melodies. Acoustic guitar accompaniment is well played and and conceptually works for this genre. If this was part of a staged musical production, it would make sense that this kind of lyrical content would be able to convey to the audience the loneliness that this woman in rags is suffering from. Beyond that however, as a piece of contemporary pop music, I don’t really see how it fits in. The vocals are solidly performed, on pitch and the overall arrangement is rich and full sounding. I guess you could call it progressive rock as you say in your bio, but to me, it does not connote that type of sound.Lyrically, beyond some of the visual connotations that it evokes, I’m not seeing a consistent through line of what its about. To me, its a bit vague, but definitely sad sounding in all areas.

Quote From Pro: A haunting vocal melodyballad and solidly played acoustic guitar, make this a very entertaining piece that I could hear being performed in a staged musical production.

Nonviolenze

Broadjam Artist: Nonviolenze
Song: Girl in Rags

Broadjam Pro Reviewer:
Jonathan Weiss (Music Supervisor, A&R)

Pro General Comments: Quite a unique sounding vocal and arrangement. Hard to categorize this piece, but if I had to, I would say it lends itself to more of a song from a staged musical. Obviously the music, chord structure and vocal quality conveys a state of heartbreak, either from the melodic lines and from the haunting, plaintive lead vocal and background flute/synth counter melodies. Acoustic guitar accompaniment is well played and and conceptually works for this genre. If this was part of a staged musical production, it would make sense that this kind of lyrical content would be able to convey to the audience the loneliness that this woman in rags is suffering from. Beyond that however, as a piece of contemporary pop music, I don't really see how it fits in. The vocals are solidly performed, on pitch and the overall arrangement is rich and full sounding. I guess you could call it progressive rock as you say in your bio, but to me, it does not connote that type of sound.Lyrically, beyond some of the visual connotations that it evokes, I'm not seeing a consistent through line of what its about. To me, its a bit vague, but definitely sad sounding in all areas.

Quote From Pro: A haunting vocal melodyballad and solidly played acoustic guitar, make this a very entertaining piece that I could hear being performed in a staged musical production.

Don’t be Cruel ( Aphrodite & I ) by COSTA / Costa Ioannides

COSTA / Costa Ioannides

Broadjam Artist: COSTA / Costa Ioannides
Song: Don’t be Cruel ( Aphrodite & I )

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Costa,I can appreciate the diversity in your songwriting and composition. Don’t be Cruel is a really cool mixture of electronic/pop production with a flair of Spanish flamenco style guitars creating a very exotic sound. Although the overall production sound is more modern, the only other popular pop song that comes to mind is Madonna’s “La Isla Bonita”. Super popular globally!Constructively There’s a lot going on… in a good way. I listened on my studio monitors as well as with headphones. I really like your drum and percussion programming along with the bass guitar parts. They compliment each other and fill up the bottom well. The acoustic piano is layered with the synth pads nicely. The other delayed synth parts are very tastefully done as well. Those aren’t too overbearing and they don’t overtake the acoustic “island” feel of the song that the rhythm and lead guitars are creating.The overall mix of the instrumentation is done well. The verse vocals at a good level and the reverb and delay effects are good. In the chorus, I’d like to hear a fuller vocal sound and the backgrounds / ad-libs could come up in the mix slightly.Your guitar parts and arrangement could be spread out a little more to better define the different tones you’re using… even consider some auto-panning techniques just for fun. Mind you, these comments are just creative mix and engineering ideas to try… hopefully to inspire future compositions. Don’t be afraid to experiment with your post-production. You really do have a good ear and great feel for unitizing acoustic and electronic instruments in your music.. very cool man!

Quote From Pro: Don’t be Cruel is a really cool mixture of electronic/pop production with a flair of Spanish flamenco style guitars creating a very exotic sound.

COSTA / Costa Ioannides

Broadjam Artist: COSTA / Costa Ioannides
Song: Don't be Cruel ( Aphrodite & I )

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Costa,I can appreciate the diversity in your songwriting and composition. Don't be Cruel is a really cool mixture of electronic/pop production with a flair of Spanish flamenco style guitars creating a very exotic sound. Although the overall production sound is more modern, the only other popular pop song that comes to mind is Madonna's "La Isla Bonita". Super popular globally!Constructively There's a lot going on... in a good way. I listened on my studio monitors as well as with headphones. I really like your drum and percussion programming along with the bass guitar parts. They compliment each other and fill up the bottom well. The acoustic piano is layered with the synth pads nicely. The other delayed synth parts are very tastefully done as well. Those aren't too overbearing and they don't overtake the acoustic "island" feel of the song that the rhythm and lead guitars are creating.The overall mix of the instrumentation is done well. The verse vocals at a good level and the reverb and delay effects are good. In the chorus, I'd like to hear a fuller vocal sound and the backgrounds / ad-libs could come up in the mix slightly.Your guitar parts and arrangement could be spread out a little more to better define the different tones you're using... even consider some auto-panning techniques just for fun. Mind you, these comments are just creative mix and engineering ideas to try... hopefully to inspire future compositions. Don't be afraid to experiment with your post-production. You really do have a good ear and great feel for unitizing acoustic and electronic instruments in your music.. very cool man!

Quote From Pro: Don't be Cruel is a really cool mixture of electronic/pop production with a flair of Spanish flamenco style guitars creating a very exotic sound.

Don’t be Cruel ( Aphrodite & I ) by COSTA / Costa Ioannides

COSTA / Costa Ioannides

Broadjam Artist: COSTA / Costa Ioannides
Song: Don’t be Cruel ( Aphrodite & I )

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Costa,I can appreciate the diversity in your songwriting and composition. Don’t be Cruel is a really cool mixture of electronic/pop production with a flair of Spanish flamenco style guitars creating a very exotic sound. Although the overall production sound is more modern, the only other popular pop song that comes to mind is Madonna’s “La Isla Bonita”. Super popular globally!Constructively There’s a lot going on… in a good way. I listened on my studio monitors as well as with headphones. I really like your drum and percussion programming along with the bass guitar parts. They compliment each other and fill up the bottom well. The acoustic piano is layered with the synth pads nicely. The other delayed synth parts are very tastefully done as well. Those aren’t too overbearing and they don’t overtake the acoustic “island” feel of the song that the rhythm and lead guitars are creating.The overall mix of the instrumentation is done well. The verse vocals at a good level and the reverb and delay effects are good. In the chorus, I’d like to hear a fuller vocal sound and the backgrounds / ad-libs could come up in the mix slightly.Your guitar parts and arrangement could be spread out a little more to better define the different tones you’re using… even consider some auto-panning techniques just for fun. Mind you, these comments are just creative mix and engineering ideas to try… hopefully to inspire future compositions. Don’t be afraid to experiment with your post-production. You really do have a good ear and great feel for unitizing acoustic and electronic instruments in your music.. very cool man!

Quote From Pro: Don’t be Cruel is a really cool mixture of electronic/pop production with a flair of Spanish flamenco style guitars creating a very exotic sound.

COSTA / Costa Ioannides

Broadjam Artist: COSTA / Costa Ioannides
Song: Don't be Cruel ( Aphrodite & I )

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Costa,I can appreciate the diversity in your songwriting and composition. Don't be Cruel is a really cool mixture of electronic/pop production with a flair of Spanish flamenco style guitars creating a very exotic sound. Although the overall production sound is more modern, the only other popular pop song that comes to mind is Madonna's "La Isla Bonita". Super popular globally!Constructively There's a lot going on... in a good way. I listened on my studio monitors as well as with headphones. I really like your drum and percussion programming along with the bass guitar parts. They compliment each other and fill up the bottom well. The acoustic piano is layered with the synth pads nicely. The other delayed synth parts are very tastefully done as well. Those aren't too overbearing and they don't overtake the acoustic "island" feel of the song that the rhythm and lead guitars are creating.The overall mix of the instrumentation is done well. The verse vocals at a good level and the reverb and delay effects are good. In the chorus, I'd like to hear a fuller vocal sound and the backgrounds / ad-libs could come up in the mix slightly.Your guitar parts and arrangement could be spread out a little more to better define the different tones you're using... even consider some auto-panning techniques just for fun. Mind you, these comments are just creative mix and engineering ideas to try... hopefully to inspire future compositions. Don't be afraid to experiment with your post-production. You really do have a good ear and great feel for unitizing acoustic and electronic instruments in your music.. very cool man!

Quote From Pro: Don't be Cruel is a really cool mixture of electronic/pop production with a flair of Spanish flamenco style guitars creating a very exotic sound.

Comfort Zone (Acoustic/Live at CYBC) by COSTA / Costa Ioannides

Broadjam Artist: COSTA / Costa IoannidesSong: Comfort Zone (Acoustic/Live at CYBC)Broadjam Pro Reviewer: Malik Williams (Producer, Artist, Engineer, Composer)Pro General Comments: Hi Costa,Comfort Zone is a really nice pop/world love song! I’ve listene…

COSTA / Costa Ioannides

Broadjam Artist: COSTA / Costa Ioannides
Song: Comfort Zone (Acoustic/Live at CYBC)

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Hi Costa,Comfort Zone is a really nice pop/world love song! I've listened to this over and over. It's a classic case of "less is more". A very moving soundtrack song with brilliant lyrics that really pull on ones conscience!I like the way you're referring to the worlds tragic issues that most of us can relate to and in my mind, i could imagine the scenes vividly. It's the common message of dealing with negative live experiences but still being able to find solace in that person or thing you love the most. Sometimes you just want to hide or lose yourself just to feel safe. Pretty much, everyone can relate to that.. It's the classic formula for a great song. In the second verse you say "I lie to God again". That's a really powerful line. What I took from that is Sometimes in life it's so hard to believe or understand. We ask the question "why", over and over, with no definite or logical answer, so we have to keep the faith just to stay sane. This live recording was done very well. You've managed to capture a very warm and classic Ovation guitar sound. Very smooth vocal performance with a nice touch of reverb in the mix! Knowing that it was recorded live makes it that much better. You vocal tone and expression works well on this song. I was listening from the perspective of this being produced in a more dramatic fashion. Maybe with rhythm and orchestral production... Just a thought. I still think the simple version prevails but it could be fun to have a version 2. If you haven't considered the music licensing route, this is a good song to pitch. Great job overall!

Quote From Pro: Comfort Zone - A very moving soundtrack song with brilliant lyrics that really pull on ones conscience!