Broadjam Pro Song Reviews

Broadjam Artist: Jim Reeder
Song: I Believe

Broadjam Pro Reviewer:
Dave Hnatiuk (Music Supervisor)

Pro General Comments: Hi Jim,Thank you for your patience in receiving my review. I have been BEYOND busy lately which I am thankful for! Generally speaking, this is a classic song with a ton of emotion behind it, a very inspirational message, and generations of fans and listeners who have experienced it in a variety of different ways and contexts. I think your simplistic instrumentation choices were the right way to go here. This song is all about the lyrics and the vocal melody, and the instrumental aspect of the song is very much secondary. Good job on this.I think the general mix and production is fine although I would DEFINITELY consider pulling back on the delay effect on your vocals. The delay gets so intense at times that I seriously cannot decipher what your lyrics are saying, and for a message heavy song like this one, you cannot risk any one not being able to understand the lyrics. And by the way, I'm listening to your song on a perfectly working pair of Genelec 1030a studio monitors.

Quote From Pro: Jim Reeder was smart to accurately cover the classic song "I Believe" written by Ervin Drake, Irvin Graham, Jimmy Shirl and Al Stillman in 1953 and made popular by Frankie Laine's original performance. It's my belief that Jim Reeder's cover of "I Believe" could be a useful alternative version of the song for those media producers who cannot afford to license more well known versions of the song.

Broadjam Artist: Daniel
Song: Fall out of Love

Broadjam Pro Reviewer:
Jonathan Weiss (Music Supervisor, A&R)

Pro General Comments: Solid pop song with a powerful chorus which is complimented by a full background vocal arrangement. Very good sectional contrast between verse, chorus and bridge sections. Think I would make the beginning synth drone a bit shorter and come with the vocal a bit sooner. Lyrically and chord change wise, the verse does a good job in setting up the powerful chorus. When the full chorus kicks in, the fuller sounding arrangement in this section masks a bit that the song to me sounds like its still in demo form. I'm listening to hear if it could be broadcast on TV and at this point, I think its close, but still needs an overall cleaner production sound that could probably be achieved by getting into a better studio and perhaps using a producer. Guitar and synth sounds specifically could be updated to glean a more contemporary sound. The good news is that the basic structure, vocals and lyrics are all in good shape, now its just coming down to enhancing the overall sound and making the arrangement at the beginning a bit more compact. Great use of the pre-chorus, which really sets up the full chorus. Great job in putting together the oohs and aahs of the background vocals during the chorus, really fills out the overall sound.

Quote From Pro: A solidly structured pop rock song that has a strong, identifiable lead vocal and memorable hook.

Broadjam Artist: RekLes Studios
Song: Buried Alive

Broadjam Pro Reviewer:
Shawn McKenzie (Producer, Artist)

Pro General Comments: You're sitting on a cool track, but you don't get to hear much of it as you have vocals riding from beginning to end. You should give your music some breathing room, by creating a 4-8 bar intro buildup and then lead into the chorus, it makes it more radio friendly that way. Your vocal styling is a little on the dated style, not a lot of dynamics in the phrasing of your words. In saying that, what is old is new now, so it could possibly work in your favour. . In the future when you are crating sung choruses don't make it too wordy, you can say more with less. Plus when a vocalist is performing live the song it allows them to catch their breath. Your vocals styling reminds me of Young MC. I could see this track being placed in a TV series or movie Drama relating to your subject matter, you can definitely get the song licenced. Take advantage of those opportunities. You have the ability to create a picture so that your audience gets involved in your song. Today's lyrics don't deal with much in terms of subject matter, with the exception of a few rappers, good to see that you stay true to your art. Keep going for it.

Quote From Pro: You have the ability to create a picture so that your audience gets involved in your song. Today's lyrics don't deal with much in terms of subject matter, with the exception of a few rappers, good to see that you stay true to your art. Keep going for it.

Broadjam Artist: Nabii
Song: Infidel

Broadjam Pro Reviewer:
Diana Williamson (Songwriter, Music Supervisor)

Pro General Comments: Dear Nabil:Please note I do not comment on technique- of instruments and vx- my expertise lies in overall presentation, lyrics and marketing.First off, you were right- the home recording is perfectly fine to showcase the song. You have one of the hardest parts down, you have a great vibe in this song and it comes across very clearly.And second you have a great message. It's a message that you're aware of - is a very very tricky one to put across. You've done a great job so far and there is probably some more tweaking you can do to make it realize it's full potential.So let's start with the great stuff first. Your voice and your use of bg vocals is very EASY ON THE EARS! Almost hypnotic- so that is a strength of yours in your arsenal.Most great songwriters have a strong message to impart and this fuels their songwriting, so it's a great topic to chose. And you are right, you have to be very careful with this type of subject matter- but it's an important one. With these types of songs its best to clothe them in an artistic story type way to take away some of the "preachiness" or to make the message more palatable.In Marvin Gaye's "What's Going on" he tackles the brutality of war and senseless violence by asking a question "Mother, mother, everybody thinks we're wrongOh, but who are they to judge us Simply because our hair is longOh, you know we've got to find a way To bring some understanding here today"Or John Lennon's song gets us involved by telling us to: "Imagine" Imagine there's no countries, It isn't hard to doNothing to kill or die for, And no religion too, Imagine all the peopleLiving life in peace...They're two of the very best songs written on the subject of war, violence, religion. It would be good to study them to see how they can take such a "heavy" topic but make it something people want to hear. It may give you some ideas.

Quote From Pro: Artist has a wonderful simplicity and vibe in this track that presents a powerful message.

Broadjam Artist: matt taylor
Song: If I Had The Time Kmix7

Broadjam Pro Reviewer:
A.J. Gundell (Songwriter, Composer, Music Supervisor, Producer)

Pro General Comments: "If I Had The Time" is a genuine, heartfelt song, sensitively delivered by the warm and believable voice of Matt Taylor. The subject matter has that universal appeal that makes every listener want to listen: who hasn't yearned for the day, or even just a day, when we could all have a little more time to do the things we really want to do? That idea is effectively woven into the tag line of the A section--making for that sweet marriage of main idea with hook and title. With an authentic, country/folk/Americana backing track and beautiful, organic instrumentation, this one is right in the singer-songwriter's pocket and Matt sells it beautifully.

Quote From Pro: "If I Had The Time" is a genuine, heartfelt song, sensitively delivered by the warm and believable voice of Matt Taylor. The subject matter has that universal appeal that makes every listener want to listen: who hasn't yearned for the day, or even just a day, when we could all have a little more time to do the things we really want to do? That idea is effectively woven into the tag line of the A section--making for that sweet marriage of main idea with hook and title. With an authentic, country/folk/Americana backing track and beautiful, organic instrumentation, this one is right in the singer-songwriter's pocket and Matt sells it beautifully.

Broadjam Artist: Mary Segato
Song: Don't Give Up On Me

Broadjam Pro Reviewer:
John Anderson (Publisher)

Pro General Comments: Hey Mary, quality song all around, first thoughts of artists I can hear it for are Don Henley, John Mayer, Katy Perry, Coldplay, Seal, Ed Sheeran, or Sam Smith to name a few. Also reminds me of the Kate Bush & Peter Gabriel duet "Don't Give Up" (In theme only) which came out on 1985. Easily crosses the Rock, Pop, Country and R & B genres, incredibly universal. Works as a Duet or for a solo artist with prominent backing vocals, Male or Female leads. The demo recording and production quality is superior to what I typically hear. GREAT! I personally focus more on film/television/ad placement for artists then getting songs recorded. That said, it would certainly be an appropriate pitch for a wide range of artists crossing several genres. It does strike me as a song that would fit nicely into a film and really enhance the emotion of the scene as well. I'm sure there are song publishers out there that would be proud to submit "Don't Give Up On Me" for a major label or independent artist to record. Do be weary of getting too close to the John Mayer sound, it could turn some artists off. You're good to go with this one!

Quote From Pro: A beautiful heart felt ballad that tenderly pulls you into a damaged relationship with a plea for forgiveness. 1st class songwriting and a track that's ready for the charts.

Broadjam Artist: Maxim Senin
Song: Old Shoebox

Broadjam Pro Reviewer:
Mitch Goldfarb (Producer)

Pro General Comments: Great Intro. I love the musical line. It has an appealing euro-ethnic quality. Tempo is perfect. You captured a great toe-tapping groove.The sonics & recording are really good. There's a balance of highs & lows. The instruments are crystal clear. The sound of the acoustic guitars, the percussion, the band, and the lead instruments fit like a glove, focusing the listener on the vocals. You've captured the Knopfler quality--just right for storytelling. Your vocals make the track!The first verse pulls the listener in with its stripped down intimate feel. Try holding off on the fills and have the violin's entrance around the turn (My heart sank to the stomach). Let the track build slower. Don't be in a rush to give away all your fun musical flavors right away.The band entrance is in the correct place to build the excitement. Again, try holding off on all the fills. Let the listener enjoy the band establishing itself. Great use of the snare drum to amp up the beat. It adds real character to the track.In general, the fills (the violin, the flute, and the guitar licks) need to be mixed in a way that directs the listener. Instead of going gangbusters, I suggest picking one element at a time and allow that instrument to speak and establish itself in the holes around the vocal statements. Then switch to another instrument and do the same. At times, there is too much to focus on. All the instruments seem to be vying for the same space. Most people can process up to three ideas, but give them a forth and it all goes out the window. Plus, be careful not to let the fills obfuscate your hook line, which is great. This is a good example of where "less is more." By the way, I love your choices of the fill instruments. The colors are perfect for this song.The melody in your Pre-Chorus is a wonderful lift. The Chorus is very good too. The lyrics are just right. The vocal double gives the hook character without going overboard. I love the beat change in the Chorus. It makes it stand out as special. Nice job!The Breakdown Verse after the Solo is perfect. This creates the rollercoaster of ups and downs for the listener, and gives you an opportunity to build the track again. Well done!All the performances are very good. The track keeps chugging right along.The song feels too long. You have two Solos and a one-minute tag. By time we are at the Tag, the listener has heard everything. More licks do not make it better. If the listener isn't sold on the track by the Tag, something is wrong, which is not the case here. I suggest that you focus your creativity on leaving the listener "wanting to hear more" and not satiating them. This way they will play the song again, and again, and hopefully again. Consider dropping one of the Solos, or at least cutting them in half. Fade out much earlier. Play with getting the track down to 3:30 or even just over 3 minutes. You can always save an extended version to use elsewhere. I often create several versions of a key track to give the record company options for marketing.In addition, the Solos and the Tag needs to be focused in the mix. Direct the listener. Actively choose which instrument and which statement you want the listener to hear. Use the best licks and forget the rest. You can even create a call and response theme with trading licks back and forth, giving one part to the violin, then the next to the guitar or flute. Be careful not to have all the lead instruments speak at the same time. If you are going to cut the Solos in half, I suggest using only one instrument to make the statements in that section.One last note, consider changing the title to something more poetic, like The Only One. Even "Shoebox" would be easier for the listener to remember. The lyrics "Old Shoebox" are not in the song, only Shoebox.I've very impressed with your growth as an artist. You are bringing a maturity to your expression.Congrats on your son--a wonderful life changing experience!

Quote From Pro: "Old Shoebox" is a winner. This upbeat track focuses playfully on the age-old story of "what do you tell the new live-in girlfriend about the ex-girlfriend." If that's not enough, Maxim Senin takes the back peddling for an explanation to an art form when what tipped off the new lover is a box of old photographs, only the photos are from years of ex-girlfriends. Just try getting out of that jam with a smile and a song.

Broadjam Artist: MoBack
Song: Because Of You - Studio Demo

Broadjam Pro Reviewer:
Shawn McKenzie (Producer, Artist)

Pro General Comments: Hi Monique, thanks for submitting your music to be reviewed. I only received 2 songs from you, not sure what happened there? I find the song to be a cool laid back song. If that was your goal then you have accomplished that. But if you were trying to establish a smash hit, this is not the song to do it with. I find the verses are tad bit long a bit too wordy. I can only go from these two songs, but in both those songs the choruses are right on the mark, they are catchy and simple which is what people are looking for now when submitting songs. Depending on the demographics that you are trying to hit, this may or may not work. If you are hitting the European market, it may work. But if you are trying to access the US market then you need to have a rewrite of the verse, and as good as a Producer as Andy Whitmore is the music will not cut it to for the US market. In Europe the vibe is more open to different styles and flavours of music. so you have a better shot with that market, not to say that it may be accepted but on the whole Europe is more open to all types of music. My recommendation is to shorten the verses by 4 bars. As writer, it would do you well to have a stronger vocalist to sing when you are pitching music. As a songwriter you want to hit them strong the first time, and not have the performance come out a little weak. As the saying goes, "first impressions, are lasting impressions". You want the person to get the vibe the first time instead of them trying to feel the vibe as you intended it to be. I am giving you this review to help encourage and not to discourage you, put it this way it took Pharrell 9 tries before Happy was accepted. Rework the song a little bit and you just might make everyone happy. Hope this makes you happy.

Quote From Pro: "Cool laid back song, short simple and sweet Chorus"

Broadjam Artist: Ian Lee
Song: Love song

Broadjam Pro Reviewer:
Doug Beck (Producer, Remixer, Composer)

Pro General Comments: Ian Lee - Love SongThis is a nicely done ballad. Your production value is always really very nice. You know how to build a track and your songs and productions always sound extremely good.I love the electric piano intro with the synth embellishment. Love how the drum break brings in the rest of the instrumentation. As with all of your productions the dynamics are excellent. It's really very well done.Here's my issue. The song itself seems a little dated to me and a little lyrically pedestrian. Especially when compared to the previous track 'Missi'. Missi has a far more contemporary feel than this track and I think is 'Missi' is much more commercially viable in the current market place. I would also maybe try to find a more clever title. Something in the lyric that can work as a title as well.That said. Love Song is still a very nice track. I would just lean a little more towards the vibe and production of 'Missi' because I think that will serve you better in this marketplace.Artist's Submitted Question: Hi Doug, Thanks for your previous review. This certainly spurred me on to write more material and I've now completed a full album of 11 songs. I'd like your feedback on artists you feel are in a similar genre and which distribution channels might be best for me to focus on. Also do you feel this is of release quality or are there areas I still need to work more on? I'm now starting to write my next album and would like to incorporate what ever I can to improve and develop my sound. Thanks IanLBHey Ian,Like I stated above. I think the direction of 'Misi' is the way to go. All of your songs have great emotional appeal but 'Misi' captures it in such a way that works for what is happening now in the music industry. I also think music supervisors would really love that track and style. A placement in a TV show or movie can yield big dividends for a young artist. In any event, all of your stuff is really nice and very well done. You've got serious skills!

Quote From Pro: 'Love Song' is a beautiful song about an age old emotion.

Broadjam Artist: Thierry Coupey
Song: Home

Broadjam Pro Reviewer:
Nikki Hornsby (Songwriter, Artist, Producer, Arranger)

Pro General Comments: As an artist we all know once music is set in stone (recorded) the only choice is to cut a new stone if we can do a better job. Recording a song professionally is that cut marble or cut diamond which needs to be polished before offering it to the public or anyone to see or in the case to hear. Now "Home" the selection of your choice of instruments for your song is good. The instruments (music) carry me forward to want to hear more of this "my heart is homeless" "Home" song from the opening to the end. The balance with vocal and the instrumental part let us give a TINY bit of attention. Again, the man you pay to do your vocal demo work is good so don't worry. Let me pin point for you to experiment with somethings my little tiny ears hear. I suggest you try to pull back instrument volume at meter 41 just a little since vocalist 'by my side' lyric was walked over a little by the music... but do not pull back so it's greatly noticed. Ok? Adding the bongo/conga work is a great touch. 2:27-28 there is a doubling thing (syncopation like) on the percussion notes that could distract from hearing words at that point. Then at 3:01 the increased bass volume may distract here a little, so try a pullback of the bass drum / bass guitar track there, but it depends on if you want to keep it that way as it does work up front better later on. Just try and compare doing that and see how it feels.3:20 is a piano type spot (not a negative key stroke form which I understand creatively that could be acceptable or corrected) which that same piano effect seems to continue until 3:23 at the break spot even into the key modulation transition which maybe what you wanted. It is all up to you of course if you like what you have don't change them. I am sticky picky since I can hear maybe more than the average consumer. I think you know NOT to take my opinion as gospel by any means...but do a test for yourself by laying down different track lines of more precise piano notes or conga /bongo at that meter point to see after you compare the first one to the other one and which one will make you FEEL better. In the arts the precise points of perfection are not only what music is about at all. We must never loose the feeling. Music has the passionate element of course we must not forget like loving someone requires! Back to your "Home" 3:34 has a booming bass. Maybe try upping a tiny bit the vocal track here. Start with as much as a grain of salt or lowering the bass track volume instead. 4:21 start to pull back as the vocalist does on his volume. I like the wind sound effects at the lyric point "I made my way And now I go" fits certainly. Oh...trust me, I LOVE doing this pro reviewing for you. Please hang in there as the musical artist you are. Remember too music requires the marketing and promotional budget elements in business which for many artists without such talents discover and this is their way to succeed. To me the success is that you are satisfied making a commercial song for the consumer to purchase or a composition of expression for posterity regardless of acquisition but how it touches the heart...the concern should be the spirits you touch in a crowd of listeners who relate to the healing emotional tool that music really is.

Quote From Pro: Thierry, this composition especially at the bridge & the feeling of the entire piece all the way through sounds like another TC (Thierry Coupey) original... and again the tears came to my eyes as I heard the ending as the lyrics touched me with the feel of the music fade out. It is a GREAT job as your great personal experience expression. Thank you for allowing me the honor to pro review another great Thierry Coupey styled song. I wish you many more songs to come as the artists within us knows there is another one ahead that we strive to make even better than the last.