Month: July 2016

Broadjam Artist: Sergio Simone
Song: Take My Advice

Broadjam Pro Reviewer:
Diana Williamson (Songwriter, Music Supervisor)

Pro General Comments: Dear Sergio from Kleinburg- ha ha- where is the contact button on your site- to contact you direct? Try emailing me again- it's been very hectic and I can't seem to find it.As usual- Please be advised that I don't comment on individual instrumentation as my forte is more in the overall picture- lyrics, melody, arrangements and marketing.The word appalling sounds like a convenient rhyme- songs usually do best with everyday speech- not something that feels tacked on. Some of the lyrics here have a feel that they are mostly too easy rhymes- "quick as a flash/make a mad dash"- appalling/calling, what she's like, took a hike. You want to use phrases that you would use when talking to a friend- more or less- so they have that natural flow to them. Be careful of this. For eg "give her the news" isn't something you would really say to a friend.Vocal sounds a bit sing song-ey- versus the subject matter which could be a bit more angst ridden concerning the topic. This singer isn't selling me this song. I am too aware of his vocal instead of what he's saying. You might want to look for a richer bluesy voice- one that has more color. You don't have to be too clever in a blues song- sometimes its just about the singer - saying he's hurting- is enough. But that voice has to draw us in immediately. Maybe study some Robert Cray for ideas?- he deals with those subjects but also has a catchiness to his work that some blues don't always have. Eg- https://youtu.be/2gQEDwjhaDE?list=PLUmnnNR3rRsR2vdw9b765Jow6ZgICtqL-

Quote From Pro: Sergio Simone's songs tell stories from the heart.

Broadjam Artist: Thierry Coupey
Song: Home

Broadjam Pro Reviewer:
Nikki Hornsby (Songwriter, Artist, Producer, Arranger)

Pro General Comments: As an artist we all know once music is set in stone (recorded) the only choice is to cut a new stone if we can do a better job. Recording a song professionally is that cut marble or cut diamond which needs to be polished before offering it to the public or anyone to see or in the case to hear. Now "Home" the selection of your choice of instruments for your song is good. The instruments (music) carry me forward to want to hear more of this "my heart is homeless" "Home" song from the opening to the end. The balance with vocal and the instrumental part let us give a TINY bit of attention. Again, the man you pay to do your vocal demo work is good so don't worry. Let me pin point for you to experiment with somethings my little tiny ears hear. I suggest you try to pull back instrument volume at meter 41 just a little since vocalist 'by my side' lyric was walked over a little by the music... but do not pull back so it's greatly noticed. Ok? Adding the bongo/conga work is a great touch. 2:27-28 there is a doubling thing (syncopation like) on the percussion notes that could distract from hearing words at that point. Then at 3:01 the increased bass volume may distract here a little, so try a pullback of the bass drum / bass guitar track there, but it depends on if you want to keep it that way as it does work up front better later on. Just try and compare doing that and see how it feels.3:20 is a piano type spot (not a negative key stroke form which I understand creatively that could be acceptable or corrected) which that same piano effect seems to continue until 3:23 at the break spot even into the key modulation transition which maybe what you wanted. It is all up to you of course if you like what you have don't change them. I am sticky picky since I can hear maybe more than the average consumer. I think you know NOT to take my opinion as gospel by any means...but do a test for yourself by laying down different track lines of more precise piano notes or conga /bongo at that meter point to see after you compare the first one to the other one and which one will make you FEEL better. In the arts the precise points of perfection are not only what music is about at all. We must never loose the feeling. Music has the passionate element of course we must not forget like loving someone requires! Back to your "Home" 3:34 has a booming bass. Maybe try upping a tiny bit the vocal track here. Start with as much as a grain of salt or lowering the bass track volume instead. 4:21 start to pull back as the vocalist does on his volume. I like the wind sound effects at the lyric point "I made my way And now I go" fits certainly. Oh...trust me, I LOVE doing this pro reviewing for you. Please hang in there as the musical artist you are. Remember too music requires the marketing and promotional budget elements in business which for many artists without such talents discover and this is their way to succeed. To me the success is that you are satisfied making a commercial song for the consumer to purchase or a composition of expression for posterity regardless of acquisition but how it touches the heart...the concern should be the spirits you touch in a crowd of listeners who relate to the healing emotional tool that music really is.

Quote From Pro: Thierry, this composition especially at the bridge & the feeling of the entire piece all the way through sounds like another TC (Thierry Coupey) original... and again the tears came to my eyes as I heard the ending as the lyrics touched me with the feel of the music fade out. It is a GREAT job as your great personal experience expression. Thank you for allowing me the honor to pro review another great Thierry Coupey styled song. I wish you many more songs to come as the artists within us knows there is another one ahead that we strive to make even better than the last.

Broadjam Artist: COSTA / Costa Ioannides
Song: Comfort Zone (Acoustic/Live at CYBC)

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Hi Costa,Comfort Zone is a really nice pop/world love song! I've listened to this over and over. It's a classic case of "less is more". A very moving soundtrack song with brilliant lyrics that really pull on ones conscience!I like the way you're referring to the worlds tragic issues that most of us can relate to and in my mind, i could imagine the scenes vividly. It's the common message of dealing with negative live experiences but still being able to find solace in that person or thing you love the most. Sometimes you just want to hide or lose yourself just to feel safe. Pretty much, everyone can relate to that.. It's the classic formula for a great song. In the second verse you say "I lie to God again". That's a really powerful line. What I took from that is Sometimes in life it's so hard to believe or understand. We ask the question "why", over and over, with no definite or logical answer, so we have to keep the faith just to stay sane. This live recording was done very well. You've managed to capture a very warm and classic Ovation guitar sound. Very smooth vocal performance with a nice touch of reverb in the mix! Knowing that it was recorded live makes it that much better. You vocal tone and expression works well on this song. I was listening from the perspective of this being produced in a more dramatic fashion. Maybe with rhythm and orchestral production... Just a thought. I still think the simple version prevails but it could be fun to have a version 2. If you haven't considered the music licensing route, this is a good song to pitch. Great job overall!

Quote From Pro: Comfort Zone - A very moving soundtrack song with brilliant lyrics that really pull on ones conscience!

Broadjam Artist: Tom Ballister
Song: You Never Know

Broadjam Pro Reviewer:
Doug Diamond (Music Supervisor, Engineer, Producer, Composer )

Pro General Comments: Hi Tom -Thanks for bringing this song and yourself to my attention. "You Never Know" is really an excellent song and I really enjoyed listening to it multiple times while reviewing it.The songwriting itself is very strong. I can tell you've been at this many years I can hear your experience in the recording and the writing both. Lyrically, it's excellent and I don't really have any suggestions there. The vocal is very pure and '60s sounding in my opinion (which is good). It puts me in-mind of some of the great Folk music from that era.Instrumentally, again... excellent. The finger-picked guitar has a nice gentle touch that fits this song perfectly and the string arrangement is really great as well. The only thing I might suggest, and I know this wouldn't be cheap... is to use a real string section instead of the synth strings. Now, *what* the strings are playing is really great, but to me it's a little too synthy sounding to be convincing - only for that reason - but the arrangement is really great and fits the song very well.Coming from an engineer's perspective, I really can't find anything to mention other than it's been recorded and mixed very well, so your technical chops certainly get the job done and fits this style of song too.Overall, it's a really simple yet very beautiful song that I'm sure you're very proud of. It's very pure-sounding and has an innocence about it that I really like.

Quote From Pro: "You Never Know" is a beautiful song that has a unique, simple sound and feel to it reminiscent of 1960's or early 1970's Folk music. The craftsmanship of this song is nearly perfect in every way, with it's purity of heart and simple, yet effective lyrics and vocals, it makes it very enjoyable to listen to. Overall, an excellent song with really good synch-appeal for period-piece films, documentaries, and television shows.

Broadjam Artist: Tom & Mary Erangey
Song: Reach Out

Broadjam Pro Reviewer:
Jonathan Weiss (Music Supervisor, A&R)

Pro General Comments: Really liked how the song started out lyrically, it began to tell a story that many families can relate to. I also liked the way the dynamics of the song structure changed gaining more energy and emotion as the song went on. It's a nice surprise that the vocal goes up an octave in the second verse. The double-time and background harmonies during the bridge sort of take you out of the first part of the feel of the song, but does give it a sectional contrast that the listener would not be expecting. Harmony and double time rhythm also comes in during the last chorus. Overall, I enjoyed the sentiment expressed in the song that could be interpreted in several different ways.

Quote From Pro: A very melodic lead vocal, strong arrangement and a sensitive and important lyrical topic make this song a powerful statement in the struggle against Alzheimer's disease.

Broadjam Artist: Tom Ballister
Song: Lauren's Theme

Broadjam Pro Reviewer:
Doug Diamond (Music Supervisor, Engineer, Producer, Composer )

Pro General Comments: Hi Tom -Thanks for the submission. "Lauren's Theme" is an interesting instrumental piece that is very simple-sounding on the surface, with not a lot of instrumentation - and yet very effective and moving. Nice job all around. I really like the chosen sounds and performance. The simplicity is a bit deceiving because there are some fairly complex things going on as well, which I really like.This song's synth strings I feel really work well with the electric piano sound they complement each other nicely.This song is mixed well and I don't really have any suggestions there.The only thing I can think of that's missing from this song is... more of it! I'd like to see it be a bit longer and go in new and interesting directions. In other words, what you have is really great, but I can hear this song building from about where it ends right now, on into an actual full-band (or orchestra) type of version with (tasteful) drums and percussion and perhaps some other instruments replacing or doubling with the electric piano melody. Building on your current arrangement might give this song the added emotion I feel it could use to make it into something that could be useful in television or film. Right now, without having other parts that add drama or emotion, it'd be fairly hard to synch in my opinion because what's there is good, but it's not "enough" and very specific-sounding. Finding a scene in a film that needs exactly this type of song might be difficult.I say take it a step further and develop an addendum to what you have. That will give it more flexibility to be licensed. Extend it by adding further production that complements and builds on the current arrangement and go in a new, more significant direction. You can still use this version you have if you'd need to, but by adding to it, you'd have even more to offer folks looking at potentially synch licensing it because then they could use the simple version like you have, but could also use the more expanded version like I'm suggesting in different areas of the film.With a "score" type of feel like it has, it's a little harder to license those types of tracks because essentially you've scored a scene that doesn't really exist if that makes sense. This song sounds like it was written for a very specific scene in a film or other type of show, so finding that perfect match would be tough in my opinion.From a music supervisor's perspective, you start with a scene and need to find (or score) music that fits your visual (and possibly dialog) perfectly - not the other way around. It's next to impossible to start with a specific song and find a scene or visual that fits the song perfectly. The visual always will take priority (as it should in filmmaking), so it's much easier to then find music to fit THAT. Hope that makes sense.

Quote From Pro: "Lauren's Theme" is an excellent instrumental piece with a memorable melody, full of emotion and depth that would work well in certain dramatic or montage scenes in a film or other type of media.

Broadjam Artist: matt taylor
Song: Like A Mountain

Broadjam Pro Reviewer:
Tirk Wilder (Songwriter, Performer)

Pro General Comments: Like A Mountain - Matt Taylor 062815Nice ballad. Love song for your lady?You have a great melodic feel, as usual. And I like hearing songs from the standpoint of rawness, just you and your trusty nylon strings.I need to state at the outset that you have limited your chances of getting it picked up by a publisher just by dint of the fact that it IS a ballad. Most (I dare say ALL that could do you any good) publishers are lousy with ballads. But more on that in a second.Some of these lines are strong and could be left as is. I'll come back to that, too, but first I want to talk about song form.If you are looking to make this song stand on its own, there needs to be some kind of repetitive theme somewhere that is the reason for the whole song. You only have your hook, your title, ONCE in the song. Your second Chorus contains a completely different lyrical content than the first, and my ear found that confusing. If this is a song you want to use in live performance, I would suggest repeating the first chorus in that slot, getting your hook in there again. THEN, maybe take the lyrical content of the second chorus and make it into a bridge instead. Maybe with a whole new melody and chord structure, even.Then, I might consider changing the melody of the verses ever so slightly. For instance. The word "know" ends up as an "E" note. Okay, make the word "grow" turn out to be a G# or a B. Some small variance every other line that eliminates the possibility of monotony.Small suggestions: "loving you it made my life begin," ditch the "it". No extra unnecessary syllables.The line "My love will weather through" could be better as "My love weathers through".The line "like a mountain I go to the sea" bothers me because, for the life of me, I can't recall any reports of mountains suddenly barging into the sea. Mountain STREAMS REACH the sea... Mountains don't "go to the sea". You could try something like "until the mountains sink in the sea," and I might could buy THAT.Okay, so, summarizing:Change the arrangement to be Verse, Chorus, Verse, Chorus, (NEW) BRIDGE, Chorus and out. The Chorus should be the "Like a Mountain" passage, and the Bridge will be the "I'll find you in the sky" passage, with a new musical structure behind it.Some thought should be given to tampering with the melodies in the verses for the sake of variation.Get it so it's worthy of the "by Matt Taylor" statement, and you'll have something to expose to music libraries, like Broadjam, and many others online and see if you can get a "license to use" purchased.I might also suggest to you that you consider becoming your own publisher. You may as well. You're doing everything a publisher does except sign the forms.Las Vegas, huh? Cool.

Quote From Pro: Matt Taylor will capture your senses and take them on a nice, smooth ride.

Broadjam Artist: COSTA / Costa Ioannides
Song: Let this in

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Hey Costa,Thank you for the opportunity to review your songs. I really like the drive of this track. A lot of the new songs out these days seems to have some type of flair from an older song from say the 80s or 90s and I always like hearing that. Especially because of the musicianship it might take to pull that off. In this case, I referred to an artist names "Dino" from the late 80's because of your vocal tone and his dance songs (hits) were very upbeat and fun. I think Maroon 5 might be the closest I could refer you to because you have that Adam Levine vocal tone that's pretty smooth. I'm always careful how to constructively compliment an artist regarding a throwback sound but so much of today's music is derived from songs of the past anyway. First off, I chose the title Can't Let It Go because I thought your vocal performance really drove that point home... stuck in my head a bit more to me.The intro flange fx is nice coming into the song. I like the drum programming and percussion programming. The bass guitar works overall but at about 2:52 and at the break, the timing or quantization could be tighter. It's a bit mechanical... It's really important to keep that kick and bass grove in the pocket. The piano and synth arpeggiation is great. Also, the funky guitar plucking and the nylon guitar sound in your break add a lot to the song. Vocally, the lead is pretty good and so are the lyrics. The backgrounds in the pre-chorus could be tighter and maybe even spread out a little wider. On that note the overall mix is good. Although, I'd like to hear a fatter but still punchy kick drum mix under your bass guitar. Other than that I think the choice of instruments and your preliminary mix is all in the right direction!

Quote From Pro: Costa Ioannides: "you have that Adam Levine vocal tone that's pretty smooth"

Broadjam Artist: matt taylor
Song: I Can't Help It

Broadjam Pro Reviewer:
Tom Bocci (Music Supervisor, Producer, and Publisher)

Pro General Comments: Greetings Matt,Sure appreciate hearing such a soulful song performed and produced in an appropriately natural environment. No need to"hard sell" this one. Your vocal tone caresses the lyric with a combination of a "too good to be true" and "don't sweat the small stuff" delivery.The only different vocal inflection could come in the next to last bridge line try emphasizing Why Do I Love You? by elongating the question.Musically,your choices of upright bass, brushes,rhythm guitar and dobro lead(or is it a slide?) are right in the pocket with the laid back lead vocal and cool harmony.If you haven't already done so, you might think of a visually and financially real way to present this track on YouTube since you nailed it musically as well as anyone could. If this is an indication melodically of the rest of your repertoire, consider releasing a long-form with 10 songs of this quality independently.You've got the right creative instincts for success with your songs, but you'll need to find a true-beliver in the form of a door-opening music supervisor, publisher, co-producer,or small label owner who can help position you and your sound to the right audience, and help get you to the next step.Wishing you all the best now and in the future,Tom Bocci

Quote From Pro: Matt,Your naturally soulful approach to songwriting and performing is a great asset to success.

Broadjam Artist: Hugo Bass
Song: Alpha Dancer (Remix)

Broadjam Pro Reviewer:
Diana Williamson (Songwriter, Music Supervisor)

Pro General Comments: Please note I don't rate individual instrumentation since my expertise lies more in marketability, lyric, melody, and overall performance.Hi there, Hugo. First off you have a winning attitude. I always encourage people to give me truth and can't stand anyone who says they like something then secretly hates it. My one cardinal rule is to tell the truth- because that's how everyone LEARNS and gets better! The fact that you ask for the brutal truth is a feather in your cap! Of course you have to be careful who you listen to and disregard people with unworthy intentions. You are only going to grow and that's how you perfect your craft. So that is major step one.The good news is you have a great handle on this type of writing. You lured me in immediately with the intro and vibe. The song has a very cool vibe to it. The instrumentation and arrangement has a tasteful flavor that is easy on the ears.One of the easiest and overlooked things to fix is to always try to have a title with an emotional lure to it. Something that everyone immediately gets curious about. Alpha Dancer is interesting but could be more interesting. I'm left wondering what it means. For eg "Dancing in the Moonlight" suggests a midnight rendevous- so we're wondering "who" are the lovers- something relating to our own emotional experiences. So if it was something like "Dancing into Love" it makes it more personal for the listener because they can relate to it. Something to keep in mind.Great opening- nice feel. Nice choice of vocalist. Interesting vocal effect part round 48 & 2:48, some sonic bells and whistles give the track a fun feel.When verse comes in you might want to add a little more ear candy- you want it to build a little more rapidly. The vocal is mixed a little low in places so I can't really make out the lyrics. Lyrics are important so make sure we can hear them.When getting reviews- be sure to include them so you can get feedback on them.It seems that perhaps the rhymes may be a little forced (but since I can't really hear the words- a clearer mix would help- ) I can't say for sure- but humanity /sanity and dominant/prominent seem a bit awkward. The general rule is to keep lyrics conversational so they have a good flow to them. Prominent and humanity may be a bit formal for a song. Be careful on this.Lyric comes out off the top a little preachy- be very careful with this- big words such as "humanity" can scare someone off. Today's society is all about instant gratification - so if you want to say something important- you have to lure them into it. Music is escape for most people so you have to deliver escapism and then add something deep in a fun way so they don't realize they are being preached to. It's very hard to talk about issues without coming off preachy- it's a fine line. You don't want to alienate your listener.I can't seem to follow lyrical story. Part of it is the mix buries some of the words but I think also that the lyric may need a bit of going over. Make sure it progresses from the beginning and evolves. I like what you seem to be trying to do- (your intent) but it feels a bit confusing- as mentioned- when you keep it conversational versus overly poetic- it feels natural to the listener and flows.

Quote From Pro: Track has beautiful feel and suggests writer would be good at crafting commercials and scores.