Month: July 2016

Broadjam Artist: COSTA / Costa Ioannides
Song: Let this in

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Hey Costa,Thank you for the opportunity to review your songs. I really like the drive of this track. A lot of the new songs out these days seems to have some type of flair from an older song from say the 80s or 90s and I always like hearing that. Especially because of the musicianship it might take to pull that off. In this case, I referred to an artist names "Dino" from the late 80's because of your vocal tone and his dance songs (hits) were very upbeat and fun. I think Maroon 5 might be the closest I could refer you to because you have that Adam Levine vocal tone that's pretty smooth. I'm always careful how to constructively compliment an artist regarding a throwback sound but so much of today's music is derived from songs of the past anyway. First off, I chose the title Can't Let It Go because I thought your vocal performance really drove that point home... stuck in my head a bit more to me.The intro flange fx is nice coming into the song. I like the drum programming and percussion programming. The bass guitar works overall but at about 2:52 and at the break, the timing or quantization could be tighter. It's a bit mechanical... It's really important to keep that kick and bass grove in the pocket. The piano and synth arpeggiation is great. Also, the funky guitar plucking and the nylon guitar sound in your break add a lot to the song. Vocally, the lead is pretty good and so are the lyrics. The backgrounds in the pre-chorus could be tighter and maybe even spread out a little wider. On that note the overall mix is good. Although, I'd like to hear a fatter but still punchy kick drum mix under your bass guitar. Other than that I think the choice of instruments and your preliminary mix is all in the right direction!

Quote From Pro: Costa Ioannides: "you have that Adam Levine vocal tone that's pretty smooth"

Broadjam Artist: Bill Zeffiro
Song: Universal Truth

Broadjam Pro Reviewer:
Diana Williamson (Songwriter, Music Supervisor)

Pro General Comments: Please note: I do not comment on instrumentation since my expertise lies in marketing, lyric, melody, overall presentation, etc..Hi Bill- Good concept. It may be a hard sell to an artist though- universal truth- most artists want songs that portray them as virile, competent and a winner. It can be an uphill battle to sell a song where they call themselves a schmuck. This is the age of false beauty- where everyone edits their image until it's six pack, no wrinkles, etc etc. It would take an artist who has been on top for quite a while, with a great sense of humor to undertake such a song.It is perfect for theatre though where an audience can listen along and empathize. For some reason we love actors to look like schmucks because we can see ourselves in their shoes and feel less silly about our own foibles. However in music - its usually a more sexy thing- and the preening peacock artist rarely submits themselves to ridicule no matter how warranted. Sense of humor alas seems to be a rare quality in the music biz..You may want to decide on a sexier title- Universal truth can bring to mind some religious leader about to lecture us on the perils of sin (lol). You want a title that is going to bite and make us curious- so we just have to know more. "Just Another Schmuck in Love" for eg - gives us the tone of the song- we know its going to be funny.You have a great way with lyrics. Maybe you could research comedians that sing- a lot of comedy records are done and see who is working on an album. Adam Sandler? Steve Martin? Some who sing: Jimmy Fallon, Tom Lehrer, and Steve Martin.

Quote From Pro: Bill has a great flair for comedy.

Broadjam Artist: COSTA / Costa Ioannides
Song: Comfort Zone (Acoustic/Live at CYBC)

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Hi Costa,Comfort Zone is a really nice pop/world love song! I've listened to this over and over. It's a classic case of "less is more". A very moving soundtrack song with brilliant lyrics that really pull on ones conscience!I like the way you're referring to the worlds tragic issues that most of us can relate to and in my mind, i could imagine the scenes vividly. It's the common message of dealing with negative live experiences but still being able to find solace in that person or thing you love the most. Sometimes you just want to hide or lose yourself just to feel safe. Pretty much, everyone can relate to that.. It's the classic formula for a great song. In the second verse you say "I lie to God again". That's a really powerful line. What I took from that is Sometimes in life it's so hard to believe or understand. We ask the question "why", over and over, with no definite or logical answer, so we have to keep the faith just to stay sane. This live recording was done very well. You've managed to capture a very warm and classic Ovation guitar sound. Very smooth vocal performance with a nice touch of reverb in the mix! Knowing that it was recorded live makes it that much better. You vocal tone and expression works well on this song. I was listening from the perspective of this being produced in a more dramatic fashion. Maybe with rhythm and orchestral production... Just a thought. I still think the simple version prevails but it could be fun to have a version 2. If you haven't considered the music licensing route, this is a good song to pitch. Great job overall!

Quote From Pro: Comfort Zone - A very moving soundtrack song with brilliant lyrics that really pull on ones conscience!

Broadjam Artist: PYSONGS
Song: SKYLIGHTS

Broadjam Pro Reviewer:
Jonathan Weiss (Music Supervisor, A&R)

Pro General Comments: This song has some well put together, yet familiar sounding chord changes. At some points it sounds like the changes could be something like an early Sheryl Crow song, with horn and synth arrangements that sounds like its from the 70s. Overall the song and production sounds very retro to me. That's not always necessarily a negative thing, however in this case, I felt the chordal structure was inventive and something you don't hear a lot of these days in contemporary pop music. Structurally, the song took quite a while to develop. To kick off the song, it sounded like a stripped down rhythm section and evenutally at 0:51 a full horn and background vocal arrangement came in. It wasn't until after 1 minute in, that the full rhythm section came in. This is a long time to develop for a pop song. In order to grab the listener's attention right off the bat, I would have come in right at the top with a full compliment of the arrangement and instruments, then have the breakdown come in the middle of the song. Pretty inventive background vocal arrangements throughout and a full sounding wall of sound type arrangement once the song gets going. Perhaps with a bit of a restructure, the sectional contrast of the song would work better and have more potential commercially.

Quote From Pro: An inventive retro wall of sound type sound that is reminiscent of an early Sheryl Crow arrangement.

Broadjam Artist: COSTA / Costa Ioannides
Song: Don't be Cruel ( Aphrodite & I )

Broadjam Pro Reviewer:
Malik Williams (Producer, Artist, Engineer, Composer)

Pro General Comments: Costa,I can appreciate the diversity in your songwriting and composition. Don't be Cruel is a really cool mixture of electronic/pop production with a flair of Spanish flamenco style guitars creating a very exotic sound. Although the overall production sound is more modern, the only other popular pop song that comes to mind is Madonna's "La Isla Bonita". Super popular globally!Constructively There's a lot going on... in a good way. I listened on my studio monitors as well as with headphones. I really like your drum and percussion programming along with the bass guitar parts. They compliment each other and fill up the bottom well. The acoustic piano is layered with the synth pads nicely. The other delayed synth parts are very tastefully done as well. Those aren't too overbearing and they don't overtake the acoustic "island" feel of the song that the rhythm and lead guitars are creating.The overall mix of the instrumentation is done well. The verse vocals at a good level and the reverb and delay effects are good. In the chorus, I'd like to hear a fuller vocal sound and the backgrounds / ad-libs could come up in the mix slightly.Your guitar parts and arrangement could be spread out a little more to better define the different tones you're using... even consider some auto-panning techniques just for fun. Mind you, these comments are just creative mix and engineering ideas to try... hopefully to inspire future compositions. Don't be afraid to experiment with your post-production. You really do have a good ear and great feel for unitizing acoustic and electronic instruments in your music.. very cool man!

Quote From Pro: Don't be Cruel is a really cool mixture of electronic/pop production with a flair of Spanish flamenco style guitars creating a very exotic sound.

Broadjam Artist: matt taylor
Song: If I Had The Time Kmix7

Broadjam Pro Reviewer:
Tom Bocci (Music Supervisor, Producer, and Publisher)

Pro General Comments: Greetings Matt,This is another fine example of your natural talent in the areas of storytelling, melody, and production blending together to produce a memorable, maybe even signature sound.You seem to be able to sing and interpret your own words authentically,which allows you the freedom to always be real instead of trying to be stylized. In this song you have paid a lovely musical tribute to your Dad and his belief in bucket lists and reincarnation.He'd be proud.Overall this track has many stunning things going for it, but I offer a few suggestions for you to consider. First, change the title to "If I Have The Time" to keep it in the present tense always looking forward to more. Second, the key change going into the bridge is too abrupt and takes me out of the flow every time, even though it resolves and recovers nicely in the second line. Try keeping your original vocal melody line there, but find some chords that ease into it with more light and less weight.Third, the vocal repeat in the ending can be shortened by going directly to the line with the harmony. The instrumental double-stop fiddle hook and piano can carry it from there.Fourth, did you ever try singing the title with the accent on "IF i have the time".It tends to soften the repetitive elongated "if IIII have the time" Does it change the song's meaning for you that way or make no difference.This tune seems to have evolved since the original guitar/vox version which is endearing in its own way,but this version represents the best of what I've heard so far. Onward!

Quote From Pro: This is another fine example of your natural talent in the areas of storytelling, melody, and production blending together to produce a memorable, maybe even signature sound.

Broadjam Artist: Nonviolenze
Song: Girl in Rags

Broadjam Pro Reviewer:
Jonathan Weiss (Music Supervisor, A&R)

Pro General Comments: Quite a unique sounding vocal and arrangement. Hard to categorize this piece, but if I had to, I would say it lends itself to more of a song from a staged musical. Obviously the music, chord structure and vocal quality conveys a state of heartbreak, either from the melodic lines and from the haunting, plaintive lead vocal and background flute/synth counter melodies. Acoustic guitar accompaniment is well played and and conceptually works for this genre. If this was part of a staged musical production, it would make sense that this kind of lyrical content would be able to convey to the audience the loneliness that this woman in rags is suffering from. Beyond that however, as a piece of contemporary pop music, I don't really see how it fits in. The vocals are solidly performed, on pitch and the overall arrangement is rich and full sounding. I guess you could call it progressive rock as you say in your bio, but to me, it does not connote that type of sound.Lyrically, beyond some of the visual connotations that it evokes, I'm not seeing a consistent through line of what its about. To me, its a bit vague, but definitely sad sounding in all areas.

Quote From Pro: A haunting vocal melodyballad and solidly played acoustic guitar, make this a very entertaining piece that I could hear being performed in a staged musical production.

Broadjam Artist: Nabii
Song: Infidel

Broadjam Pro Reviewer:
Diana Williamson (Songwriter, Music Supervisor)

Pro General Comments: Dear Nabil:Please note I do not comment on technique- of instruments and vx- my expertise lies in overall presentation, lyrics and marketing.First off, you were right- the home recording is perfectly fine to showcase the song. You have one of the hardest parts down, you have a great vibe in this song and it comes across very clearly.And second you have a great message. It's a message that you're aware of - is a very very tricky one to put across. You've done a great job so far and there is probably some more tweaking you can do to make it realize it's full potential.So let's start with the great stuff first. Your voice and your use of bg vocals is very EASY ON THE EARS! Almost hypnotic- so that is a strength of yours in your arsenal.Most great songwriters have a strong message to impart and this fuels their songwriting, so it's a great topic to chose. And you are right, you have to be very careful with this type of subject matter- but it's an important one. With these types of songs its best to clothe them in an artistic story type way to take away some of the "preachiness" or to make the message more palatable.In Marvin Gaye's "What's Going on" he tackles the brutality of war and senseless violence by asking a question "Mother, mother, everybody thinks we're wrongOh, but who are they to judge us Simply because our hair is longOh, you know we've got to find a way To bring some understanding here today"Or John Lennon's song gets us involved by telling us to: "Imagine" Imagine there's no countries, It isn't hard to doNothing to kill or die for, And no religion too, Imagine all the peopleLiving life in peace...They're two of the very best songs written on the subject of war, violence, religion. It would be good to study them to see how they can take such a "heavy" topic but make it something people want to hear. It may give you some ideas.

Quote From Pro: Artist has a wonderful simplicity and vibe in this track that presents a powerful message.

Broadjam Artist: Tony DeSimone
Song: Stay Beautiful

Broadjam Pro Reviewer:
Jonathan Stone (Publisher)

Pro General Comments: Really good all the way around. Reminds me a little of U2. I think this will have great opportunity for film and TV use as well. Its clear that the author/artist is experienced and professional. This is a perfect example of writing an idea that has practical application to many visuals which is great for sync opportunities. The lyric never really gets to specific and they bring forth a very positive message "Stay Beautiful" inside. Don't know if this was the author's intent but never the less it opens up a wide variety of potential uses by doing same. I often get songs pitched to me and the artist wants to get syncs, which all tracks have potential for such, but as soon as you go off into subject matter that is too specific like "my pet butterfly flew away" your song can only be pitched for projects about pet butterflies. You get the point. It could be that the artist here just wrote from his heart and out came the perfect "sync" song. I hope thats the case, so much the better. Or perhaps we have a wiley craftsman here who intended to write a song just for sync ops. Doesn't really matter. Regardless, he has one here and he would be well served to get this out to as many film and Tv libraries as he can that accept outside "songs" and see what happens.

Quote From Pro: Tony DeSimone nails it with "Stay Beautiful". Great track, message and performance! Check it out!

Broadjam Artist: matt taylor
Song: Sometimes You Just Don't See It Coming 3:33

Broadjam Pro Reviewer:
Tirk Wilder (Songwriter, Performer)

Pro General Comments: Okay, Matt, there is much that is cool about this song.I like the hook "Sometimes you just don't see it coming". I like the way it gets laid in there at the top of the chorus, and that there is serious melodic differences between chorus and verse, so that the chorus "soars", if you will.I truly admire your melodic feel, and the way your chord structure is emotive harmony for that melody.Let's go to the lyrics.I'm none too crazy about the opening lines. Don't think they grab the casual listener.Next lyrical speed bump was "I hold it in as long as I am able". It may not be necessary to have a rhyme line here, as you have the second and the fourth lines already rhyming. "I hold it in as long as I can," sounds a little more like natural conversation, which is better, I think.The chorus?Well, the melody of the first two lines is impeccable, as usual, in your stuff.The words of the second line are weak. "Never thought I'd see the day," is a clich. It's sitting in the second line of the chorus where it almost HAS to be powerful. Something like, "Like a train wreck in the night, It came roaring through the tunnel, before I ever saw the light".You use that, I'm a co-writer. And I wouldn't mind that on this song.But, seriously, I hope you see what I mean. The lines, "When home to you I would be runningTo hear you say your going away."? I can't imagine those lines flying with any publisher. No power. Not something someone would say to their estranged lover while trying to hash things out.If not an image, a strong metaphor. Something someone would be saying in conversation. Something that plays off "sometimes you just don't see it coming."Consider this, Matt.Completely remove what you have here as the first verse. The "Another ordinary dayThe sun came up the sky is blue, There's something that you need to sayAnd you seem to think somehow I knew."The more I look at it, the less it works. The SECOND four lines is a POWERFUL way to start this song. The listener is almost sitting down at the kitchen table with you, and it's all you need to get you to the chorus.The second verse is the "A long time ago you called me baby" passage. Then you need to rewrite the bridge. "Time carry's on, And I'll get along, Believing that you're gone"? Very blah. Doesn't convey any information or move the song along.My advice is to take the last verse and worm it around so it becomes your bridge. The first two lines, "It's hard to think of moving on now, But moving on is what I'll do," convey the right sentiment to wrap up the song in a tight little bow. After that, you go straight into a chorus.That makes your song form:Verse --- CHORUS --- Verse ---CHORUS --- Bridge --- ChorusWhich happens to be about the MOST effective song form for climbing the charts in the history OF the charts. 70% of top ten hits in the history of our art has been this form or a slight variation thereof. I hardily recommend you consider it.It also would cut the time of your song down to a little less than three minutes, which is optimum for radio airplay.Matt, I don't get many true talents coming through my critique service. You have it going on. PLEASE stay with it.

Quote From Pro: Matt Taylor is the REAL DEAL.