ANSWER MAN by MGB

MGB

Broadjam Artist: MGB
Song: ANSWER MAN

Broadjam Pro Reviewer:
Doug Diamond (Music Supervisor, Engineer, Producer, Composer )

Pro General Comments: Hi MGB -Thanks for letting me know about your song, "Answer Man". I enjoyed listening to it. The lyrics, to me are the thing that stand out as one of the best things about this song. They have a 70s feel and sound to me - reminding me of some great 1970's artists who are still fun to listen to today.My first reaction in listening to this song - I'll be honest - the lead vocal stood out to me because I felt like they might not be polished enough... perhaps even slightly nasal-y... but on pitch and close enough in the pocket rhythmically to fit ok. When listening to this song multiple times though, I now think that the vocal fits really well and am not sure I'd change it at all (that was going to be my initial recommendation). I think it does work fine though.I get the feeling that you as an artist and singer (if that is you singing) don't necessarily fit into certain musical pigeonholes, which means a smaller, more dedicated audience generally, but leaves you more creative freedom to be yourself - which is really great. Keep doing what you're doing.I do like the overall production value of the song. I think it works well. I enjoyed the guitar work in particular, so nice job there. Your mix is pretty good and sort of fits the 70s sound and feel if you were going for that. As a mixer, I would probably bring the drums up just slightly overall, but that's not a huge deal I don't think. The lead vocals are out front, which is what you want. The guitars are balanced well and the BGVs are really cool, so nice job there too!The only thing I can really give you a tip on is, in my opinion, your artist name is completely forgettable. I'm not sure if "MGB" are your initials or what exactly, but I'd use my full name if that's the case. People won't remember initials, or they will remember them wrong.Also, I couldn't find any information about you on the web after doing a search, so you should establish more of a web presence when possible. Those would be the first things I would address if I were you. Web presence... a website, social media, etc., but think about using your full name if it's just you as the artist. If you're a band, then choose a band name. That's my 2-cents... hopefully it helps.

Quote From Pro: "Answer Man" is a really thoughtful 70s-type rocker with really good lyrics and performances, as well as professional production. I could definitely see it fitting into the 'perfect place' in a film, television or web series.

ANSWER MAN by MGB

MGB

Broadjam Artist: MGB
Song: ANSWER MAN

Broadjam Pro Reviewer:
Doug Diamond (Music Supervisor, Engineer, Producer, Composer )

Pro General Comments: Hi MGB -Thanks for letting me know about your song, "Answer Man". I enjoyed listening to it. The lyrics, to me are the thing that stand out as one of the best things about this song. They have a 70s feel and sound to me - reminding me of some great 1970's artists who are still fun to listen to today.My first reaction in listening to this song - I'll be honest - the lead vocal stood out to me because I felt like they might not be polished enough... perhaps even slightly nasal-y... but on pitch and close enough in the pocket rhythmically to fit ok. When listening to this song multiple times though, I now think that the vocal fits really well and am not sure I'd change it at all (that was going to be my initial recommendation). I think it does work fine though.I get the feeling that you as an artist and singer (if that is you singing) don't necessarily fit into certain musical pigeonholes, which means a smaller, more dedicated audience generally, but leaves you more creative freedom to be yourself - which is really great. Keep doing what you're doing.I do like the overall production value of the song. I think it works well. I enjoyed the guitar work in particular, so nice job there. Your mix is pretty good and sort of fits the 70s sound and feel if you were going for that. As a mixer, I would probably bring the drums up just slightly overall, but that's not a huge deal I don't think. The lead vocals are out front, which is what you want. The guitars are balanced well and the BGVs are really cool, so nice job there too!The only thing I can really give you a tip on is, in my opinion, your artist name is completely forgettable. I'm not sure if "MGB" are your initials or what exactly, but I'd use my full name if that's the case. People won't remember initials, or they will remember them wrong.Also, I couldn't find any information about you on the web after doing a search, so you should establish more of a web presence when possible. Those would be the first things I would address if I were you. Web presence... a website, social media, etc., but think about using your full name if it's just you as the artist. If you're a band, then choose a band name. That's my 2-cents... hopefully it helps.

Quote From Pro: "Answer Man" is a really thoughtful 70s-type rocker with really good lyrics and performances, as well as professional production. I could definitely see it fitting into the 'perfect place' in a film, television or web series.

Little Miss T by Carter

Carter

Broadjam Artist: Carter
Song: Little Miss T

Broadjam Pro Reviewer:
Tirk Wilder (Songwriter, Performer)

Pro General Comments: First, Carter, please accept my apology for being late with this review. There seems to be a glitch with Broadjam where I don't get notified until I'm thirty days past time. Weird, but true.Your song has a nice groove. You can probably sell this from your website fairly well. If that's happening for you, you really don't need my input.You have its genre listed as classic rock. I'm thinking it's more in the realm of country. If you are looking for publishing with an eye to radio airplay, there are a lot of suggestions I could give you.They pretty much insist that the song be written to the title. What I mean by that is that "Little Miss T" should be the surprise payoff in the song. The listener should hear all you say and wonder "What is this leading to?", and the answer should be "Little Miss T".I always tell my writing students "Less is MORE". I would go through each line and remove every word, even every syllable that doesn't move the narrative along.An example is the first line. The word "perfectly" is superfluous. The line would be improved if it said "I'm acting normal when she walks into the room." The second line would have action added if you said something like, "That gets blown away when my heart goes boom."The next two lines that you have are what I call "throwaway" lines". ("Is it any wonder there's little hope for me. Look out here comes trouble, she makes a fool of me".)I would throw them out entirely and replace them with something descriptive about the girl walking into the room. Give me an image of what she looks like, how she walks, something that tells me she could be trouble without using that word ("trouble"), which it's wise to save until the chorus.In the chorus you have FOUR lines with the "eee" rhyme at the end. I would reconsider that, maybe giving your listener something a little less repetitive. "She really gets to me" is a cliche that's pretty weak anyway.Here's a suggestion which you can use for free if you want:"Here comes trouble, She could mess up my life,Here comes trouble, She could be my next ex-wife,Got me going round in circles, sting me like a honey beeHere comes trouble, I call her Little Miss T".In Verse 2, you suddenly change scenes without explaining anything else about the room she walked into and have her in new place that's not really believable. How many times are you going to meet someone someplace and then have them pulling up next to you at a traffic light and asking you to a picnic under a cherry tree? Could happen, but I doubt seriously that the casual listener is going to buy into it.I would strongly suggest you rewrite that. Answer one of these two questions: "What happened next?" or "What else happened?", but have them still be in the room (the bar, I presume) where you first encounter her. And I wouldn't have the line "Look out here comes trouble, she makes a fool of me" anywhere in the verses. That's what you're saying in the chorus, and if you put it into the verses, you are stealing the power from the chorus.Your bridge is good. It works. It pretty much, in two lines, sums up the whole meaning of the song.(Continued in "Approved Quote" section)

Quote From Pro: (Continued from "General Comments")But the third verse has the same problem as the second verse had. It brings up a whole new scene which makes no sense to the listener. And, the thing of it is, a third verse is not even NECESSARY for this song. It doesn't have to be there at all. The form could easily be Verse-Chorus-Verse-Chorus-Bridge-LAST CHORUS. That way, you are right in line with the song form that has been in the top 20 in 70-75% of the charts for the last 125 years. And, as an added benefit, you bring the song in at right about three minutes (instead of 3:48 as it is NOW), which is about all radio will give you these days.Your music is good...to a point. You might want to make the melody in your chorus stand out more from the verses. A big time producer once told me that he wasn't interested in a song unless the chorus "soared". What he meant was he wanted the melody of the chorus to be in a higher register than the verses. This makes it easy for the casual listener to recognize that he is coming into the part of the song where there will be a payoff.The link below (copy and paste) is a song with a very similar idea to yours. I include it so you can see how the hook has been treated in another version.This was a fairly big song for Travis Tritt about 10 years ago.https://www.youtube.com/watch?v=I5Mwig3VqXgAt any rate, your work is GOOD, and you should keep at it. If you do, you will eventually write an undeniable hit, and your mailbox will overflow with cashable checks.APPROVED QUOTE:Carter has it going on! Don't overlook HIM!

Little Miss T by Carter

Carter

Broadjam Artist: Carter
Song: Little Miss T

Broadjam Pro Reviewer:
Tirk Wilder (Songwriter, Performer)

Pro General Comments: First, Carter, please accept my apology for being late with this review. There seems to be a glitch with Broadjam where I don't get notified until I'm thirty days past time. Weird, but true.Your song has a nice groove. You can probably sell this from your website fairly well. If that's happening for you, you really don't need my input.You have its genre listed as classic rock. I'm thinking it's more in the realm of country. If you are looking for publishing with an eye to radio airplay, there are a lot of suggestions I could give you.They pretty much insist that the song be written to the title. What I mean by that is that "Little Miss T" should be the surprise payoff in the song. The listener should hear all you say and wonder "What is this leading to?", and the answer should be "Little Miss T".I always tell my writing students "Less is MORE". I would go through each line and remove every word, even every syllable that doesn't move the narrative along.An example is the first line. The word "perfectly" is superfluous. The line would be improved if it said "I'm acting normal when she walks into the room." The second line would have action added if you said something like, "That gets blown away when my heart goes boom."The next two lines that you have are what I call "throwaway" lines". ("Is it any wonder there's little hope for me. Look out here comes trouble, she makes a fool of me".)I would throw them out entirely and replace them with something descriptive about the girl walking into the room. Give me an image of what she looks like, how she walks, something that tells me she could be trouble without using that word ("trouble"), which it's wise to save until the chorus.In the chorus you have FOUR lines with the "eee" rhyme at the end. I would reconsider that, maybe giving your listener something a little less repetitive. "She really gets to me" is a cliche that's pretty weak anyway.Here's a suggestion which you can use for free if you want:"Here comes trouble, She could mess up my life,Here comes trouble, She could be my next ex-wife,Got me going round in circles, sting me like a honey beeHere comes trouble, I call her Little Miss T".In Verse 2, you suddenly change scenes without explaining anything else about the room she walked into and have her in new place that's not really believable. How many times are you going to meet someone someplace and then have them pulling up next to you at a traffic light and asking you to a picnic under a cherry tree? Could happen, but I doubt seriously that the casual listener is going to buy into it.I would strongly suggest you rewrite that. Answer one of these two questions: "What happened next?" or "What else happened?", but have them still be in the room (the bar, I presume) where you first encounter her. And I wouldn't have the line "Look out here comes trouble, she makes a fool of me" anywhere in the verses. That's what you're saying in the chorus, and if you put it into the verses, you are stealing the power from the chorus.Your bridge is good. It works. It pretty much, in two lines, sums up the whole meaning of the song.(Continued in "Approved Quote" section)

Quote From Pro: (Continued from "General Comments")But the third verse has the same problem as the second verse had. It brings up a whole new scene which makes no sense to the listener. And, the thing of it is, a third verse is not even NECESSARY for this song. It doesn't have to be there at all. The form could easily be Verse-Chorus-Verse-Chorus-Bridge-LAST CHORUS. That way, you are right in line with the song form that has been in the top 20 in 70-75% of the charts for the last 125 years. And, as an added benefit, you bring the song in at right about three minutes (instead of 3:48 as it is NOW), which is about all radio will give you these days.Your music is good...to a point. You might want to make the melody in your chorus stand out more from the verses. A big time producer once told me that he wasn't interested in a song unless the chorus "soared". What he meant was he wanted the melody of the chorus to be in a higher register than the verses. This makes it easy for the casual listener to recognize that he is coming into the part of the song where there will be a payoff.The link below (copy and paste) is a song with a very similar idea to yours. I include it so you can see how the hook has been treated in another version.This was a fairly big song for Travis Tritt about 10 years ago.https://www.youtube.com/watch?v=I5Mwig3VqXgAt any rate, your work is GOOD, and you should keep at it. If you do, you will eventually write an undeniable hit, and your mailbox will overflow with cashable checks.APPROVED QUOTE:Carter has it going on! Don't overlook HIM!

My Unsung Hero by DeDe WedeKind

DeDe WedeKind

Broadjam Artist: DeDe WedeKind
Song: My Unsung Hero

Broadjam Pro Reviewer:
Chris Keaton (Music Publisher, Artist Manager, Song Plugger)

Pro General Comments: What man wouldn't want to hear his woman sing this (or say this) to him. This is a marvelous message and the underlying current of undying love really comes through.The intro is just right...short and sweet but really sets up the first verse. The lyric in the first verse is easily accessible and conversational..no wondering what the lyric means (and in my humble opinion, this is the essence of a GREAT country song!). The track is understated and clean. The performances of the musicians are just right for the track...no overplaying or competing for attention. The vocal is clear, in tune, in time and delightful sonically. The voice makes me want to hear more. I really love the sound of this recording. If I were to make one suggestion, it would be that the song could use a modulation at the end, just to add to the dramatic flair. That being said, from a demo perspective, this is perfect to pitch to artists, labels, publishers or producers.

Quote From Pro: DeDe has found a unique, original and clever way to say what every loved one wants to hear.

My Unsung Hero by DeDe WedeKind

DeDe WedeKind

Broadjam Artist: DeDe WedeKind
Song: My Unsung Hero

Broadjam Pro Reviewer:
Chris Keaton (Music Publisher, Artist Manager, Song Plugger)

Pro General Comments: What man wouldn't want to hear his woman sing this (or say this) to him. This is a marvelous message and the underlying current of undying love really comes through.The intro is just right...short and sweet but really sets up the first verse. The lyric in the first verse is easily accessible and conversational..no wondering what the lyric means (and in my humble opinion, this is the essence of a GREAT country song!). The track is understated and clean. The performances of the musicians are just right for the track...no overplaying or competing for attention. The vocal is clear, in tune, in time and delightful sonically. The voice makes me want to hear more. I really love the sound of this recording. If I were to make one suggestion, it would be that the song could use a modulation at the end, just to add to the dramatic flair. That being said, from a demo perspective, this is perfect to pitch to artists, labels, publishers or producers.

Quote From Pro: DeDe has found a unique, original and clever way to say what every loved one wants to hear.

Dream of You By DeDe by DeDe WedeKind

DeDe WedeKind

Broadjam Artist: DeDe WedeKind
Song: Dream of You By DeDe

Broadjam Pro Reviewer:
Chris Keaton (Music Publisher, Artist Manager, Song Plugger)

Pro General Comments: Wow. What a nice change. A song that really works...stands on it's own and takes the listener on a sonic journey to another place and time. The track sounds wonderful and lush without being overbearing or "too much". The instrumentation is just right to lift and support the lead and backing vocals. The lead vocal is beautiful. On pitch, in time and an incredibly pleasing timbre. I am very impressed with the vocal performance, not just the lead but also the backing vocals. It is quite obvious you are a pro and know what you want from the studio! I am very impressed by this song!

Quote From Pro: DeDe is an exceptionally talented singer songwriter. If you haven't heard of her, don't worry, you will very soon!Chris Keaton

Dream of You By DeDe by DeDe WedeKind

DeDe WedeKind

Broadjam Artist: DeDe WedeKind
Song: Dream of You By DeDe

Broadjam Pro Reviewer:
Chris Keaton (Music Publisher, Artist Manager, Song Plugger)

Pro General Comments: Wow. What a nice change. A song that really works...stands on it's own and takes the listener on a sonic journey to another place and time. The track sounds wonderful and lush without being overbearing or "too much". The instrumentation is just right to lift and support the lead and backing vocals. The lead vocal is beautiful. On pitch, in time and an incredibly pleasing timbre. I am very impressed with the vocal performance, not just the lead but also the backing vocals. It is quite obvious you are a pro and know what you want from the studio! I am very impressed by this song!

Quote From Pro: DeDe is an exceptionally talented singer songwriter. If you haven't heard of her, don't worry, you will very soon!Chris Keaton

IT IS WHAT IT IS by Hustle and Grind Entertainment

Hustle and Grind Entertainment

Broadjam Artist: Hustle and Grind Entertainment
Song: IT IS WHAT IT IS

Broadjam Pro Reviewer:
Roy Hamilton (Songwriter and Producer)

Pro General Comments: I feel this song has serious club and urban radio potential. The female vocal is great and reminds me of a female Drake. All of the sounds and drums and feels are very current. I like the vocal efx, sounds like a autotune sort of thing. The apreggio synths are spot on also. This song could also go to Rihanna, as sometimes she sings these kinds of songs with a hard hiphop-trap element to it. All in all, its a very hi-quality song and the featured artist could very well release this on her own and potentially do very well.

Quote From Pro: I feel this song has serious club and urban radio potential. The female vocal is great and reminds me of a female Drake. All of the sounds and drums and feels are very current. I like the vocal efx, sounds like a autotune sort of thing. The apreggio synths are spot on also. This song could also go to Rihanna, as sometimes she sings these kinds of songs with a hard hiphop-trap element to it. All in all, its a very hi-quality song and the featured artist could very well release this on her own and potentially do very well.

IT IS WHAT IT IS by Hustle and Grind Entertainment

Hustle and Grind Entertainment

Broadjam Artist: Hustle and Grind Entertainment
Song: IT IS WHAT IT IS

Broadjam Pro Reviewer:
Roy Hamilton (Songwriter and Producer)

Pro General Comments: I feel this song has serious club and urban radio potential. The female vocal is great and reminds me of a female Drake. All of the sounds and drums and feels are very current. I like the vocal efx, sounds like a autotune sort of thing. The apreggio synths are spot on also. This song could also go to Rihanna, as sometimes she sings these kinds of songs with a hard hiphop-trap element to it. All in all, its a very hi-quality song and the featured artist could very well release this on her own and potentially do very well.

Quote From Pro: I feel this song has serious club and urban radio potential. The female vocal is great and reminds me of a female Drake. All of the sounds and drums and feels are very current. I like the vocal efx, sounds like a autotune sort of thing. The apreggio synths are spot on also. This song could also go to Rihanna, as sometimes she sings these kinds of songs with a hard hiphop-trap element to it. All in all, its a very hi-quality song and the featured artist could very well release this on her own and potentially do very well.